“...The little stone balcony, which, by a popular fallacy, is supposed to be a necessary appurtenance of my window, has long been to me a source of curious interest. The fact that the asperities of our summer weather will not permit me to use it but once or twice in six months does not alter my concern for this incongruous ornament. It affects me as I suppose the conscious possession of a linen coat or a nankeen trousers might affect a sojourner here who has not entirely outgrown his memory of Eastern summer heat and its glorious compensations, a luxurious providence against a possible but by no means probable contingency. I do no longer wonder at the persistency with which San Franciscans adhere to this architectural superfluity in the face of climatical impossibilities. The balconies in which no one sits, the piazzas on which no one lounges, are timid advances made to a climate whose churlishness we are trying to temper by an ostentation of confidence. Ridiculous as this spectacle is at all seasons, it is never more so than in that bleak interval between sunset and dark, when the shrill scream of the factory whistle seems to have concentrated all the hard, unsympathetic quality of the climate into one vocal expression. Add to this the appearance of one or two pedestrians, manifestly too late for their dinners, and tasting in the shrewish air a bitter premonition of the welcome that awaits them at home, and you have one of those ordinary views from my balcony which makes the balcony itself ridiculous...”
